The Haunted Mansion Time of Year

A Bit of History

The attraction's roots date back to even before Disneyland was built, when Walt had just hired the first of his Imagineers. The first known illustration of the park showed a main street setting, green fields, western village, and a carnival. Disney Legend Harper Goff developed a beautiful black and white sketch of a crooked street leading away from main street leading by a peaceful church and graveyard, with a run-down manor perched high on a hill that towered over main street.

While not part of the original attractions when Disneyland opened in 1955, Walt assigned Imagineer Ken Anderson, to make a story around the Harper Goff idea, and design of his new 'grim grinning' adventure. Plans were made to build a New Orleans themed land in the small transition area between Frontierland and Adventureland. Weeks later New Orleans Square appeared on the souvenir map and promised a thieves' market, a pirate wax museum, and a haunted house walk-through. After being assigned his project, Ken studied New Orleans and old plantations to come up with a dirty drawing of an antebellum manor overgrown with weeds, dead trees, swarms of bats, and boarded doors and windows topped by a screeching cat as a weathervane.

Despite praise from other Imagineers, Walt wasn't too thrilled with this drawing, hence his well known saying, "We'll take care of the outside and let the ghosts take care of the inside." Despite this, Walt journeyed out to the Winchester Mystery House and became deeply captivated with the massive mansion with its stairs to nowhere, doors that open to walls and holes, and elevators. Ken came up with stories for the mansion including tales of a ghostly sea captain who killed his nosy bride and then hanged himself, a mansion home to an unfortunate family, and a ghostly wedding party with previous Disney villains and spooks like Captain Hook, lonesome ghosts, and the headless horseman. Some of the Universal Monsters were even planned to appear.

Rolly Crump and Yale Gracey, two Imagineers put in charge of the spectral effects, recreated many of Ken Anderson's stories. Walt gave them a large studio at WED enterprises; they studied reports of hauntings and Greek myths and monster movies, eventually making quite a show in their private studio. Some of these effects frightened the cleaning crews that came in at night to the extent that management eventually asked the crew to leave on the lights and to turn off the effects after hours. Defying this, Crump and Gracey connected all the effects to a motion-sensitive switch that, when passed, would turn everything on. The next day when the two returned to work, all the effects were running with a broom in the middle of the floor. Management told them that they would have to clean the studio themselves, because the cleaning crew was never coming back.

The duo made a scene where a ghostly sea captain appeared from nowhere. Suddenly a wretched bride emerged from a brick wall and chased the ghost around in circles. The frightened pirate melted into a puddle and flooded the entire scene only for the water to mysteriously vanish with the bride. "A ghost haunted by a ghost!" Rolly told Walt between chuckles. Walt and the Imagineers were amazed, but Walt still didn't like how the project was coming out. That put the mansion on hold for quite some time.

So, the decision was made to place it in the New Orleans Square section of the park, and thus the attraction was themed as a haunted antebellum mansion. In 1961, handbills announcing a 1963 opening of the Haunted Mansion were given out at Disneyland's main entrance. Construction began a year later, and the exterior was completed in 1963. The attraction was previewed in a 1965 episode of Walt Disney's Wonderful World of Color, but the attraction itself would not open until 1969. The six-year delay owed heavily to Disney's involvement in the New York World's Fair in 1964–1965 and to an attraction redesign after Walt's death in 1966.

Many Imagineers such as Marc Davis, X Atencio, and Claude Coats contributed ideas after the fair and after Ken left the project. Rolly Crump showed Walt some designs for his version showing bizarre things like coffin clocks, candle men, talking chairs, man eating plants, tiki like busts, living gypsy wagons, and a faced mirror. Walt liked this and wanted to make the proclaimed "Museum of the Weird" a restaurant side to the now named Haunted Mansion, similar to the Blue Bayou at Pirates of the Caribbean. Although the idea died off, most of it lived on in the final attraction.

Marc Davis and Claude Coats, two of the mansion's main designers, were in a constant argument over whether the ride should be scary or funny. Claude, who had a life of a background artist, made moody surroundings like endless hallways, corridors of doors, and characterless environments, wanted to make a scary adventure. Marc, who designed most of the characters and zany spooks, thought that the ride should be classic Disney silly and full of gags. In the end both got their way when X. put all the scenes together.

After Walt's death in December 1966, the project evolved significantly. The Museum of the Weird restaurant idea was abandoned, and the walkthrough idea was replaced by the Omnimover system used in Adventure Thru Inner Space, renamed the Doom Buggy, a promising solution to the problem of capacity. Imagineers had been fighting the low-capacity nature of a walkthrough attraction for years, even going so far as suggesting building two identical attractions to get double the number of guests through.

On August 9, 1969, the Disneyland version of the attraction was completed, and remained essentially unchanged for years. The opening brought in record crowds and helped Disney recover from Walt's untimely death. In the early 1970s, the Imagineers gave some semi-serious thought to resurrecting many of the creatures and effects that Rolly Crump had originally created for the Haunted Mansion's pre-show as part of Professor Marvel's Gallery, which was "... a tent show of mysteries and delights, a carousel of magic and wonder". This was to be built as part of Disneyland's Discovery Bay expansion area.

In 1999, a retrospective of the art of the Haunted Mansion was featured at The Disney Gallery above the entrance to Pirates of the Caribbean. When the 2003 film The Haunted Mansion was released, a retrospective of its art was featured in the gallery as well.

In October 2005, Slave Labor Graphics began publishing a bimonthly Haunted Mansion comic book anthology giving the Disneyland Mansion a backstory, with the main recurring story of Master Gracey recalling the old sea captain storyline.

    

Other Incarnations of The Haunted Mansion

The attraction opened at the Magic Kingdom in 1971, Tokyo Disneyland in 1983, Disneyland Paris as Phantom Manor in 1992. For each of these parks, the Haunted Mansion is an original attraction.

The Haunted Mansion was an opening day attraction at Walt Disney World's Magic Kingdom, opening in 1971. This attraction was developed at the same time as the Disneyland version, resulting in a very similar experience to the Disneyland version, though the slightly larger show building allowed the addition of several new scenes. The attraction was placed in Liberty Square, a small land that was a tribute to colonial America, as the Magic Kingdom did not have a New Orleans Square. Thus, the Mansion was given a Dutch Gothic Revival style based on older northeastern mansions, particularly those in older areas of Pennsylvania and in the Hudson River Valley region of New York.

At Tokyo Disneyland the Mansion was placed in Fantasyland and was a near complete clone of the Magic Kingdom version. The only exterior differences from the Magic Kingdom are two bronze griffin statues guarding the main gates, as well as the left bottom and top windows being both smashed open, and the top having some velvet curtains hanging out. The narration is in Japanese.

At Disneyland Paris the attraction goes by a different name, Phantom Manor.

When The Haunted Mansion was transplanted to other Disney parks, space management was much less of a problem. For example, in Walt Disney World's Magic Kingdom, the entire show building is located within the park boundaries. Luckily, the placement of the show building has no bearing on the quality of the experience. Most guests give little thought to whether they are actually inside the mansion they saw while in line.

Haunted Mansion Holiday

Since 2001, the Haunted Mansion at Disneyland is transformed into Haunted Mansion Holiday during Christmas, based on Tim Burton's The Nightmare Before Christmas. The Haunted Mansion is closed in September for a few weeks as they revamp the attraction, replacing many of the props and Audio-Animatronics with characters and themes from the movie. The attraction is closed again in January when it is returned to the regular Haunted Mansion.

In 2004 a similar overlay was installed for Tokyo Disneyland as "Haunted Mansion Holiday Nightmare". To date, neither the Walt Disney World nor Disneyland Paris attractions have been fitted with a Nightmare Before Christmas overlay, though the exterior of Phantom Manor is decorated for Halloween along with the rest of Disneyland Paris.